Used output format : User Defined EncoderĬommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeĪdditional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% Gap handling : Appended to previous track Used interface : Installed external ASPI interface Null samples used in CRC calculations : Yes
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 1 ID: 0įill up missing offset samples with silence : Yesĭelete leading and trailing silent blocks : No August 2011ĮAC extraction logfile from 6. As I tried hard to bravely hold back my tears in the theatre, an elderly man sitting next to me bawled like a child.2 Titoli Di Testa / Canzonetta / Notturno / Cadillac – Carlo Savina 5:08Ĥ Valzer (Parlami Di Me) – Carlo Savina 2:38ĥ Blues (La Dolce Vita Dei Nobili) – Carlo Savina 5:43Ħ La Dolce Vita - Finale – Carlo Savina 2:59ġ0 La Passerella Di 8 1/2 – Carlo Savina 2:23ġ4 La Passerella Di Addio – Carlo Savina 5:14ġ6 Aspettando Giorgio – Franco Ferrara 2:04ġ7 Mambo Di Cabiria – Franco Ferrara 2:35ġ8 E La Vita Continua - Finale – Franco Ferrara 2:43ġ9 Lo Sceicco Bianco – Fernando Previtali 1:42Ģ0-22: Boccacio 70 (Episodio: Le Tentazioni Del Dottor Antonio)Įxact Audio Copy V1.0 beta 3 from 29. Reveals the beautiful, though complex, relationship between daughter and father. Near the end of the film, Hara, radiant in her bridal kimono, lifts up her face to smile to her father-it is the saddest, most beautiful face. Hara plays the twenty-seven year old daughter of Chishyu Ryu (who seems to never age, as he has played old men since his forties). She prefers living with and taking care of her father, but those around her urge to get married. Hara Setsuko is one of my idols (along with Catherine Deneuve and Greta Garbo.) See her at her luminous best here.
Ozu, in comparison, has more Eastern aesthetics. My usual reaction after having watched an Ozu film is: (sigh) “Life….” What can we do? There is no good or bad life just is. Nevertheless, with his slow pace, long shots, low camera angle (akin to watching Noh theatre, made explicit in this scene), I believe that the serene beauty of Ozu’s works have the power to make someone into a more sensitive, thoughtful, and essentially, better person. I think that Kurosawa is basically a Western (plot/character/moral-driven) director.
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